We’ll Become the Flowers

out NOW

“The Berkshires-born artist, now based in Brooklyn by way of Colorado, is no stranger to transition, examining love, death and nature in turns… The indie-folk artist’s sophomore release finds her intensifying the questions of her debut with a sharpened, vulnerable edge.” —Paste Magazine

“Like a good photo, how you frame a subject makes all the difference and Edens provides a masterclass in composition.” —Folk Radio UK

“Edens' vocals have a way of cutting to your deepest feelings with their husky intonation and a warmth that proves itself soothing even at moments of despair and worry. … We'll Become the Flowers is a sturdy little album that allows her to assert herself as someone who is quite skilled at delivering their message with power and a beautiful grace.” —Post-Trash

“Edens has given us a great gift by transforming her own grief into art. We’ll Become the Flowers carries that magic needed to take the listener’s hand and walk with them through life’s greatest endings...” —Lucky Lamond, Women’s International Music Network

“Spending time with [We’ll Become the Flowers] allows it to reveal its tender, contemplative charms…” —AmericanaUK

“[We’ll Become the Flowers] possesses a quiet power, forever pushing itself to the foreground no matter where one’s attention lies, reminiscent to an extent of Suzanne Vega and Shawn Colvin. … Eliza Edens is a talented singer-songwriter whose work deserves to be heard.” —Old Grey Cat

“… a detailed creative musical touch that draws its inspirations from folk, roots, blues, jazz, classical, you name it. … Edens has that sensitive, sophisticated lyrical touch that is quite intimate, but escapes mundane at every step.” —Spill Magazine

Time Away From Time - LP (2020)

“… a mesmerizing 29 minutes of delicate finger picking and poetry in motion.”—No Depression

“… a stirring and intimate alt-folk tapestry full of space to breath, light to see, and moments of truth tailor-made for in-depth introspection.” —Atwood Magazine

“… Edens’ record is a reflection on all things temporal — the passing of hours, the passing of years, the collective journey into the future from which we cannot return. And she delivers these ruminations with a warm, wistful, contemplative voice reminiscent of Laura Marling, Judee Sill, and Joan Baez.” —John Vettese, WXPN’s The Key